One of my favorite pastimes is seeing live music. I’ve often wondered what life would be like as a roadie. Different towns every night, sometimes the same songs played every night.
Well, I had a glimpse of the roadie life last month, when I saw Guster play four nights in a row.
I’ve never been to a concert four nights in a row before. By the third night, it was starting to feel like a job…but a very good job!
This was a special event, as Guster is celebrating their 25th anniversary and the venue at which they played (Paradise Rock Club) is celebrating its 40th. Guster chose this venue because they played there a lot when they were starting out, opening for bands such as Rusted Root.
Guster chose opening bands for the four-day revelry that they had a long history with, which was nice. I only knew of one: Steven Page, formerly of Barenaked Ladies. It was great to see Steven, whose voice has not aged a day. I was a big BNL fan in college but stopped following them after Steven went down the wrong path for a while. I haven’t listened to BNL in years, so I surprised myself by remembering the lyrics to the few BNL songs he played. And I lost my shit when I heard the first few chords of one of my most favorite songs ever: “Didn’t Mean to Break Your Heart.” It’s one of those songs that you play on repeat when you’re going through a breakup.
Anyhoo, on to Guster.
I had a great spot by the stage for Steven Page’s set. But then I had to go to the bathroom and was meeting a friend who was running late, so I lost my spot. This meant that I didn’t see 95% of Guster’s set. We walked around and around but could never even see a sliver of the stage. One tall guy took pity on us for the last couple of songs and let us stand in front of him.
Steven Page joined Guster on stage during the encore.
Second Night: I was determined to get a good spot for Night #2. I nabbed a perfect spot in the balcony. A band from Northampton, MA, called And the Kids opened. They rocked it.
Each night, Guster did something a little different. I can’t tell you what they did the first night…but on the second night, they invited a cellist and violinist to perform on a few songs and they were a great addition.
Third Night: This was my favorite night because they brought out a wheel and determined the set list from wheel spins. This meant that a few lucky fans were invited on stage to sing karaoke style, Guster played half of a song at twice the tempo, and Brian sang the theme song to Cheers. The Bogmen opened and they were fun and rowdy.
I also met Brian for the third time before this show. Everyone who bought a four-day pass was invited to a meet and greet an hour before the third or fourth night’s show. Unfortunately, we weren’t let in until 40 minutes before the start of the show, so I wasn’t sure if I would have time to talk with any of them. But I did manage to say a quick hello to Brian and give him a gift that I had brought for him and the other guys.
Brian explains how the wheel works.
Fourth Night: I secured a spot in the balcony again and stood next to a lovely couple with a teenage son whom I had been chatting with in line outside. They mentioned a few other Guster concerts they’d been to, and I kept saying, “I was there, too!” I felt a sense of community with these complete strangers because of these shared experiences we had years ago.
Wesley Stace opened, and I would love to know how Guster initially crossed paths with this British bloke. His lyrics were witty and I appreciated that he shared his vinyl purchases from earlier that day with the crowd.
I could tell that Guster was a little tired that night, but the audience didn’t care. After all, the lads had been running themselves ragged for four days: on top of the shows, they did an interview at the WGBH studio at the Boston Public Library, and they invited fans to bowl with them in Somerville and ice skate with them at City Hall Plaza.
The special guests that night were some brass players who performed on a few songs. They were also a great addition.
Guster ended the four-day hoopla with a fan favorite, an acoustic version of their song “Jesus on the Radio.”
There was a Guster Museum set up in the front bar all four nights. I spent a few minutes looking at the mementos on the third night as I left the show. I loved seeing the Guster Gazette, a printed newsletter that I have a few copies of somewhere, and a copy of a letter that Guster sent out to promoters when they were first starting out. AND a piece of paper with a bunch of potential band names = wow, some of them were terrible. I planned to look more closely as I left on the fourth night, but the museum was already packed up when I walked through.
In conclusion, it was an unforgettable experience and I hope that I’m a merch girl for a band in my next life.